Maryna Masel

#1 min Modry Duch

perex

#1 min Modry Duch

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#1 min Modry Duch

test clanek

#1 min Tea Záchová

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#2 min Markéta Kinterová, Světlana Malinová

Its motivation is to give space to voices that primarily come from the eastern part of the old continent, which, in our experience, tend to go unheard. This is true on many levels, whether within the framework of the European or global artistic practice or doubtlessly also in social scientific debates on the topic of decolonisation, which are so crucial for understanding not only the past but also the ramifications we continue to experience to date.

#3 min Kateryna Radchenko

Alexander Chekmenev is a documentary photographer of his time. Early on in his career, he captured the turbulent transformations of the 1990s in his home region of Luhansk. Later he moved to Kyiv where he continued to document the events in his country and the lives of his fellow citizens. His camera has always been focused on a person in a stream of historical events that influence their story.

#6 min Kateryna Radchenko

The human body and corporeality have rarely been an object of philosophical research. One reason is that human studies have focused on the concepts of spirit, soul, mind and reflection, i.e. on the processes which are visually invisible, yet concentrated in a physical shell. It might be connected with the fact that the body occupies a place in-between a subject of cognition (personality) and mind (process) that cannot exist beyond a body, and, thus, a body cannot act as a "pure" object.

#3 min Kateryna Radchenko

Starting from the 1970s, Kharkiv – a city in Eastern Ukraine – became one of the first centres of a photographic revolution. Borys Mykhailov, Sergey Solonskyi, Sergey Bratkov, Eugeniy Pavlov, Oleg Maliovanyi and many others were photographers who went against the governmental aesthetics and developed new rules of the game – experimentation, boldness, self-expression, social realism, and synthesis with other artistic media. They thus initiated a phenomenon called the “Kharkiv school of photography.” Their activity does not have a direct impact on the development of new authors, yet influences the formation of visual speech and lays down a basis for new experiments.